Publications
[Forthcoming] "Formal Processes in Galina Ustvolskaya's Violin Sonata."
In Analytical Essays on Music by Women Composers, Volume 3 (Oxford University Press), 2019
[Forthcoming] "Monogram Techniques in Alfred Schnittke's Late Works" (Proceedings of Schnittke in Hamburg conference)
Review of "The Graph Music of Morton Feldman," by David Cline.
Notes: the Quarterly Journal of the Music Library Association 74:3 (March 2018), 435-38.
Review of “John Kirkpatrick, American Music, and the Printed Page, by Drew Massey.
Notes: the Quarterly Journal of the Music Library Association 71:2 (December 2014), 285-86.
“Structural Layers in Alfred Schnittke’s Concerto Grosso No. 3.” Perspectives of New Music 48:2 (Summer 2010), 21-46.
“Alfred Schnittke.” In Musicians and Composers of the 20th Century, 1284-87. Pasadena, CA: Salem Press, 2009.
Review of “Olivier Messiaen and the Tristan Myth,” by Audrey Ekdahl Davidson.
The Journal of Musicological Research 22:1-2 (January-June 2003), 174-77.
“Similar Processes, Different Results: Development in the Piano Works of György Ligeti.”
In Jonathan Bellman, A Short Guide to Writing About Music, 1st Edition, 105-27.
New York: Longman, 2000.
In Analytical Essays on Music by Women Composers, Volume 3 (Oxford University Press), 2019
[Forthcoming] "Monogram Techniques in Alfred Schnittke's Late Works" (Proceedings of Schnittke in Hamburg conference)
Review of "The Graph Music of Morton Feldman," by David Cline.
Notes: the Quarterly Journal of the Music Library Association 74:3 (March 2018), 435-38.
Review of “John Kirkpatrick, American Music, and the Printed Page, by Drew Massey.
Notes: the Quarterly Journal of the Music Library Association 71:2 (December 2014), 285-86.
“Structural Layers in Alfred Schnittke’s Concerto Grosso No. 3.” Perspectives of New Music 48:2 (Summer 2010), 21-46.
“Alfred Schnittke.” In Musicians and Composers of the 20th Century, 1284-87. Pasadena, CA: Salem Press, 2009.
Review of “Olivier Messiaen and the Tristan Myth,” by Audrey Ekdahl Davidson.
The Journal of Musicological Research 22:1-2 (January-June 2003), 174-77.
“Similar Processes, Different Results: Development in the Piano Works of György Ligeti.”
In Jonathan Bellman, A Short Guide to Writing About Music, 1st Edition, 105-27.
New York: Longman, 2000.
Conference Papers
"Lines and Resonances: Melodic and Harmonic Structures in Spectral Music," at
Spectralisms: An International Conference. The University of Oxford (Oxford, England), March 15-16, 2017
"What is the score? Analyzing Nono's works with live electronics: a transcription/renotation of Omaggio a
György Kurtág (1983/1986), at Utopian Listening, the Late Electroacoustic Music of Luigi Nono:
Technologies, Aesthetics, Histories, Futures. International Conference, Tufts University (Medford, MA),
March 23-26, 2016.
"Formal Processes in Schnittke's Late Style," at Alfred Schnittke in Hamburg, 1990-1998.
International conference, the Hochschule für Musik und Theater (Hamburg, Germany), November 21, 2014.
"Frequency or Pitch? Scales, Motives, and Melody in Grisey's Quatre Chants pour franchir le seuil," at
Gérard Grisey, the spectral moment and its legacy. International conference, the Université de Montréal,
October 21, 2014.
"Multifunctional Use of Quotation and Allusion in Alfred Schnittke's Concerto Frosso No. 3," at
the 2005 Annual Meeting of the Society for Music Theory (Cambridge, MA), November 13, 2005.